She also appears in the award-winning short "Danni & May" with Julianne Dowler produced by the The Collaborative, an actor media collective.
Amy the babysitter movie#
She appears as "Eliza" in the movie "Clairevoyant" streaming on Amazon (2021) and guest stars as "Gail Morgan" on CBS's "S.W.A.T." (November, 2021). Amy continued to work in television with a principal role on "General Hospital", and in prime-time on "ER", "Star Trek: Deep Space Nine", "24" with more recent credits on "CSI", "Grey's Anatomy", "Law & Order: Los Angeles" and on her brother Rob Benedict's streaming show, "Kings of Con". She was also cast as "Mary" in the cult-classic "Sneakers" with River Phoenix, Robert Redford, and James Earl Jones. Amy landed in Los Angeles in the late 80s and hit the ground running with guest star and recurring roles on "Family Ties", "thirtysomething" (as "Amy" the babysitter), "LA Law", and numerous after-school specials (due to her toddler-esque facial features). When she was flown to New York her senior year to audition for "Biloxi Blues" on Broadway and then later that year to Los Angeles for a pilot audition for "My Sister Sam", she decided, despite her love for the Big Apple, she would head to the left coast after graduation. As an undergrad, she started working as a commercial and film actress in Chicago to help pay for her tuition. Born and raised in Columbia, Missouri, Amy attended Northwestern University in Evanston, IL to study theatre. In theaters.Amy Benedict - Bio In film ("Sneakers", "Clairevoyant") and on television ("thirtysomething", "Grey's Anatomy", "CSI", "24"), Amy has portrayed moms and murderers, bombers and babysitters, in a career that has spanned over 3 decades. Sharp Stick Rated R for sexual situations, including one under the influence of psychedelics. Watching Sarah Jo’s repeated hallucinations of a cartoon woman mating and giving birth, one can imagine Dunham whispering to the audience that moments of awkward, sloppy intimacy aren’t shameful - they’re the foundation of human existence. (The gentle pop soundtrack and Ashley Connor’s naturalistic cinematography seem to think that this has been that kind of movie from the beginning.) By that point, the naif’s misadventures simply feel like an argument to not take sex so seriously.
These scenes are too humorless for satire and too artificial to support the film’s eventual, deluded attempt to shift into a somewhat sincere coming-of-age tale. A montage of flings is shot with all the sizzle of a Slurpee commercial. As Froseth bravely flings herself into vulnerable scenarios, the film is careful to keep the focus on her character’s pleasure (or the lack of it). Sarah Jo’s early affair with Josh leads to a garbled, meandering stretch where she works her way through an alphabetical checklist of carnal escapades with a revolving door of men. It’s not much of a fight - and Josh isn’t much of a catch - but one of Dunham’s talents is her ability to capture the allure of heartbreakers, scuzzballs and dopes. But Zach’s slacker father, Josh (Jon Bernthal), is usually floating around the house, too, and the ne’er-do-well suffers only a twinge of guilt as he seizes the chance to recast himself as a romantic hero to Sarah Jo.
Heather relies on Sarah Jo’s expertise to look after her son, Zach (Liam Michel Saux), who has Down syndrome. The strong first half of “Sharp Stick” places Sarah Jo in competition with Heather (played by Dunham), a harried, heavily pregnant real estate agent. No need for conversation or dinner - she only appears to eat plain yogurt, anyway. A babysitter long of hair and limb but short on emotional demands, Sarah Jo ventures through modern day Los Angeles in modest floral pinafores, which she lifts above her waist in invitation. Sarah Jo (Kristine Froseth), the mythical seductress at the center of “Sharp Stick,” an uneven, uneasy fable of desire by the writer, director and performer Lena Dunham, is the kind of erotic nymph who exists only in Penthouse letters and vintage soft-core movies.
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